Archive for the ‘threats’ Category

Anarcho-Historian Lesson #12: Legitimacy, the evil art of statecraft

Posted: March 24, 2015 in adversaries, Amenhotep-Thutmose Dynasty, Amerikan Empire, Ancient Egypt, ancient times, atrocities, authority, autocrats, bad historians, barbarians, calendars, citizens, civilization, class conflict, codes, commoners, conflict, conquest, contemporary times, continual war, control, control of language, corporate media, Cosmos, costumes, crime, criminality, cultural power, deceit, deception, defeat, destruction, domination, duties, Earth, elites, emperors, empire, enemies, English language, evil arts of statecraft, experts, extermination, false arbiter, false solidarity, false unity, governments, grand strategies, grandiosity, greatness, Heavens, hierarchy, hieroglyphics, historical epochs, historical ghosts, historical traditions, history, holidays and festivals, holiness, Hollywood, human civilization, human history, human senses, imperial system, intellectual concepts, invasions, language, leaders, legitimacy, lies, magic, mass murder, masters, meanings and the message, menaces, military display, military domains, military occupation, monsters, monuments, nemeses, New Dynasty, new era, New Money, Nouveau Riche, pharaohs, policing, political mandates, political scams, political systems, power, pride, priestcraft, priests, privileges, processions and parades, public exposure, public works, resurrection, rites, rituals, rulers, ruling classes, sacred meanings, sacred symbols, savages, slavery, slaves, social control, social divisions, society, sociopaths, spectacular events, state administrators, state extortion rackets, state funerals, state mandated choreography, state methods, state mythologies, state religions, state theater, state treasuries, state vocabulary, steles, subjects, televison, temples, the New Kingdom of Ancient Egypt, the State, threats, tribute taxes, tyrants, uniforms, United States of America, universal ideologies, urban civilization, US Intelligence-Spy-Military-Industrial Complex, usurpation, victory, vulgarity, war, wealth from conquest, world
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Human civilization has formed evil monsters beyond the control of our imaginations.

The first atrocity on the contorted path of civilization represented the division of small societies into the common folk and the ‘better folk.’ Those divisions created social class differences. These high partitions within human society fell into socio-economic estates, and there emerged the first class conflicts.

With class conflicts, another historical villain then tainted human civilization: the State. The State appeared as the false arbiter or umpire between the warring classes. The State’s infernal job was to create a phony solidarity through both’ the people’ and ‘the cause,’ or really, language and religion, where there was no ‘unity’ before. The State had to mix the arts of the wizard with the arts of the warrior.

The State merged the priest experts with the war experts, all of which created an administrative class always aligned with the better folk, while secretly united against the common folk. The grand strategy was how to rule over the regular folk who often greatly outnumbered the ruling classes. The burning question for those elites concerned: how to avoid the commoners from discovering the scam, then banding together and just exterminating the usurpers? The ingenious answer shortly arrived through legitimacy, or the evil art of statecraft.

Our eternal enemies, have forever personified the elites, the ruling classes, the State, the authorities, the controllers, and all of our so-called ‘leaders.’ They have mastered legitimacy’s techniques, from around six thousand years ago, during the first reigns of urban civilization, to our actual imperial systems. Some of these systems were absolutely brilliant, and those shrewd state masters designed political systems that have lasted hundreds, if not thousands of years, throughout human history.

The Chinese emperors developed the ‘Mandate of Heaven’ intellectual concept, later mixed with a mutated imperial Confucianism. The Persian emperors developed the first universal, monotheist ideology loyal to the grand emperors: Zoroastrianism. The Mexica-Aztec ‘tlatloani’ perfected the Destructive Ages of the Suns and a ritual calendar that supported such a Mesoamerican hierarchy.

The Hindu Brahmins decreed the ultimate system of purification rites versus impurities, and with all of this craziness, their multiple caste and ‘jati’ declinations. The Greek rulers established the universality of the Greek ‘Hellenic’ language and its ‘cosmopolitan’ writing culture, which eventually signified urban sophistication in the Mediterranean region. The Roman emperors produced the political ideology of ‘civitas’ through the interlocking privileges and duties of ‘a constitution, citizenship, and a refined public life.’ There were also those infamous Pharaohs of Ancient Egypt.

Egyptian Pharaohs, in the land of the Black Nile, founded on the northeast corner of the African continent, utilized three ingenious techniques within the devious arts of state legitimacy. And it was the Pharaohs of the New Kingdom that had successfully used the three most important methods from the occult books of state power, or the deceptive arts of legitimacy, or cultural power.

The first method of legitimacy embodied the recourse to continual warfare, or endless enemies waiting for their own destruction. The second method of legitimacy represented the state mandated choreography of myths, heroic legends, rituals, symbols, iconography, festivals, funerals, public works of grandiosity, such as temples and large monuments, and like always, military displays of might and power. The third method of state legitimacy was elite control of the Egyptian language, mostly illustrated in religious-medical-legal-statecraft codes, and their corresponding sacred meanings behind the sacred symbols.

1540 BCE was the magical and masterful decade when the Pharaohs of the Old and Middle Kingdoms transformed themselves into Emperors of both Lower and Upper Egypt. The rulers would soon recast themselves as the divine spirits or geniuses between the material and the spiritual. The ancient kings remade their rule into the New Kingdom.

The Dynasty of Amenhotep-Thutmose transfigured its power into a political-military-religious-cultural glory for both the rulers and the ruled. Even the defeated and their haters admired the New Kingdom’s military prowess and artistic magnificence. Only some hundred years earlier, the Egyptian rulers had to pay extortion tributes, or taxes, to the Hyksos barbarians that had successfully invaded their lands.

The past was over, and this new dynasty transformed into a resurrected myth of greatness, like the Great Pyramids that still stood majestically at Giza. They had realized that States do have such powers.

The Amenhotep-Thutmose Dynasty found continual enemies to exploit and then defeat, and often brutally. They attacked the southern front of Nubia, demanded regular tribute-taxes, and later attacked the farthest regions of Cush, or northern Ethiopia, and even found the source of the White Nile.

The Egyptian forces next invaded the Barbarians of the West, or the Libyans. Succeeding this attack, they defeated the Hyksos and their other nemeses, such as the Hittites, found in the lands of central Anatolia, or modern Turkey. The Egyptian Empire soon extended its tribute and military domains to the southeast. They attacked the great coastal cities of Beirut, Byblos, Tyre, Sidon, Joppa, Accho, Megiddo, and Askalon, and moved deeper into the East.

The imperial reach continued victorious over the great empires of the Levant, such as the Mitannis, the Hittites and yes, even the Assyrians! Aleppo, Kadesh, Ugarit, Homs and Babylon – all fell to the grand army of the Pharaonic invaders.

This grand-majestic army, shadowing the mastery of Alexander some one thousand and one hundred years later, crossed the Tigris and Euphrates and marched into the lands of Medes-Persia. Did they even cross over to the great rivers of the Indus and Ganges? Only the soldiers of those powerful armies knew for certain.

Once conquered, the defeated had to pay protection monies, or tribute taxes, to the Grand Pharaohs in Heliopolis. They also had to supply allied warriors or mercenaries for continual war, and most importantly, import slaves. All of the conquered cities also had to allow a small Egyptian garrison to reside in their territories.

Even with all of this militaristic conquest; the wars, invasions, enemies, threats, monsters, nemeses, barbarians, savages, menaces, dangers, ultimatums and adversaries – the conflict never seemed to end. There was another war of conquest just over the setting of the sun. The Egyptian Gods of War transfigured into sadistic vampires demanding ever greater sacrifices.

With their greater extortion rackets and taxation schemes, the Egyptian elites under the Pharaonic rule amassed bloated treasuries gushing with the lure of finely made, crafted objects, inclusive of human slaves, all of which transformed into movable capital. The New Dynasty of military conquerors transferred this new wealth into the royal coffers for the lavish display of public theater, grand monuments and choreographed state rituals.

Like New Money or the ‘Nouveau Riche,’ everywhere, and around the world, the state never shirks from showing off its bad taste. Yet, the rulers had learned another valuable lesson: the common folks do enjoy watching from a distance the over the top consumption and grossness of material possessions – all in the pursuit of pride, power and vulgarity. A subject and powerless people love to see power egregiously displayed through their human gods.

The New Dynasty junta of Pharaohs immediately set about its massive public works programs: greater, and even more lavish than before. The Pharaohs had the workers construct monolithic, mini-city temples in their cities of Heliopolis, Thebes, and they even gave patronage to the great architectural wonders of Luxor, Karnak and Amarna.

The Egyptian religious-political calendar filled itself with glorious festivals for the numerous gods of the outer and inner worlds. The calendar also coincided with the astronomical wonders found in the Cosmos in order to convince the people that The New Dynasty was firmly within the route of the Heavens, the Spirits and all of the departed, Noble Souls.

Egyptian priests and scribes clearly understood that Death was the most emotional event in most people’s lives, so the death of the Pharaoh became the über-event, spectacular show for the kingdom. The processions carrying the different tombs and coffins winded around like well-oiled serpents, and even the holy animals inside of the holy temples, which included hawks, jackals, lions and crocodiles participated, all of the holy of the holies had their places in the parades of destiny. Lavishly costumed priests, warriors, administrators, royal slaves and other hundreds of attendants winded their way into the sacrosanct burial chambers.

Priests conducted massive, deep religious rituals, using every form of magic, holy images, music, song, sacred dance, poetry and sacrifice, including incense, flowers, oils, scents, foods, libations, spices and herbs to create a truly hallucinating effect.  This state theater inflamed the five human senses. The watchers understood that the era of one Pharaoh was over. A new era would resurrect and begin again, like great Horus, Holy Mother Isis, and the Holy One Osiris – through their eternal defeat of Seth’s treason.

As the final days of ritual burial finished within the temple, the scribes fashioned steles around all the images of the late Pharaoh-emperor. The steles possessed the sacred language, or hieroglyphics, of ancient Egypt. The priests, administrators and royal families understood the holy code, and they controlled the delivery of the message.

To this day, historians know a good deal about certain Pharaonic rulers, such as their wars, conquests, victories, family dynasties, noble retainers, public works and genius. Yet, we still know very little about every day life for Egyptian farmers.

By controlling the complete language, the meanings and the message, the Pharaoh system of rule would continue for another thousand years, always secure in its ability to dominate, maintain peace, and administer, ‘ma’at, or justice.

Certain bad historians cite those ancient times as particularly unique historical eras, where imperial theater transformed into one of humanity’s most fascinating epochs. Yet, we still live with the historical ghosts and traditions from those ancient days.

Actually, there is another, extremely antagonistic world empire on the contemporary human stage, and this empire is far more dangerous and potent than the ancient Egyptian variety. This empire has the name of the United States of America, and it has been in continual war, both in domestic and foreign conflicts, since its most recent commencement in 1790 AD.

Most Americans cannot go to Washington D.C., the empire’s capital, in order to attend inaugurations and other state sponsored theater. But what about those boxes sitting in our private spaces, which transmit the deep propaganda and addictive spectacle coming from the Empire’s main centers: New York City, Washington D.C., and Hollywood, Los Angeles, California?

The corporate media has a great amount of social control within the Empire’s borders, and it commands the common use of the English language – inclusive of the Empire’s enemies. How many of us use their vocabulary, such terms as ‘Middle East,’ Surgical Strikes,’ ‘Terrorism,’ ‘Peace Dividends,’ ‘Humanitarian Interventions,’ ‘Rogue States,’ and other outrageous concoctions developed from the dark offices of the US Intelligence-Spy-Military-Industrial Complex?

Like the Pharaonic New Kingdom, they all represent the furtive arts of legitimacy, the real cultural power of the State or governments. There is a saying that war is the health of the State, and this is true. But there also exists the spectacle of uniforms and other costumes, and with all of their ritual foolishness, such as flag waving, State of the Unions, annual voting, annual bank holidays, annual tax days and pubic songs in honor of the government at major sporting events, or ‘national anthems.’

Ultimately, the Mainstream News and corporate information sources, and especially on the television, take their complete message, or language, from the same ‘leaders, rulers and autocrats.’ Our media intellectuals have included  government officials, generals, spymasters, politicians, university professors, police chiefs – and other rancid experts found in our societies.

How can we destroy the legitimacy of the State, or the actual empire that currently threatens the Earth and our very lives? We must ignore and turn off their messages, never attend their staged events, verbally reject their ongoing wars of mass murder, never sign our lives away in support of their military or police invasions.

We have to intelligently and publicly discredit, ridicule their actions when necessary. Eventually, the fetid actuality of slavery within such an Empire will invalidate their sociopathic behavior and lies. No legitimacy tactics will work after such a public exposure, since a good minority of the population will reject them completely. Nothing can save them then. But this nefarious empire will not die without the most brutal recourse to violence – unto a most horrifying extermination.

Remember, state legitimacy is more difficult to end than to begin.

 

 

 

 

 

 

 

 

 

 

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Reaching goals and finishing the work that we had originally organized for ourselves are all marvelous accomplishments. But regular practice matters too, and even when it seems to fall into redundancy and repetitive boredom. The art of regular practice also brings its future rewards and adds a nice structure to our lives.

Within the martial arts of guns, one great practice represents the use of snap caps. They are hard polymer plastic, bullet lookalikes, and they are often of burgundy red color. Gun stores usually sell them in all pistol, shotgun and rifle gauges: from .22 rounds to .45 rounds, from 10 gauge to 30 gauge, and from .17 rounds to .308 rounds.

In the Wild West Days of the States, about a hundred and forty years ago, cowboys, farmers, ranchers, soldiers, warriors, outlaws, bandidos, circus performers, cooks, miners, sheriffs, posses, and all sorts of other types, regularly practiced their dry firing techniques in order to become proficient shooters. They practiced their stances, draw, reach, deholstering, aim, sights, breath, trigger squeeze and holstering their weapons. They didn’t have snap caps in those days, so they had to dry fire without live ammo, or they used live ammo out in the desert, which could get expensive.

The problem with dry firing weapons like the Colt Six Gun Shooter and the Winchester Lever Action Repeating Rifle was that dry firing eventually dulled the firing pin and the trigger mechanism. The hard metal on metal hits, and without any live ammo to give some type of cushion, weakened the weapons’ performance. Imagine going into real combat with some real live ammo – and not having your weapon work properly. This was one of the real and terrible fears of gunslingers back in those days.

Live firing with snap caps is a safe and effective technique for acquiring the martial arts of firearm use.

Now we shooters are lucky in that snap caps allow us to practice in our homes without worrying about severe noise or destroying our weapons through dry firing without anything between the firing pin and the trigger mechanism or bolt-action area. The snap cap has the same shape of the real bullet, except it doesn’t explode and it is perfect for receiving the force of the firing mechanism.

These days, visiting the live fire gun range is expensive, unless you have access to someone’s land for shooting or live near a free use shooting range. But even the amount of ammo normally used in one day of shooting is not cheap. Many shooters go through hundreds of rounds, firing most of their weapons, such as rifles, shotguns and pistols.

The dry firing technique at home with snap caps allows the shooter the ability to practice in private and not have to spend a great deal of money during one day of live fire. Nothing beats the actual practice and skill building of live firing however. But snap caps allow that reinforcement of good skills, which can eventually help produce a good shooting day at the range.

At home, I often practice with snap caps in particular situations. For example, I will use snap caps for dealing with potential jams, malfunctions or stovepipes in my weapons, then practicing safety drills, clearing the jams, and return firing.

I use the snap caps for stance, holstering, drawing the weapons, sight alignment, aim, breathing, proper trigger squeezing and holstering my weapon once again. I will often practice shooting the weapon with one hand, and then with two hands. With my pistols, I like to switch back and forth between left and right hands. Sometimes, while I was live firing, I have heeled, anticipated or flinched when shooting my weapons. I use the dry firing of snap caps to help correct such bad shooting habits.

At home, I also practice imaginary self-defense scenarios, where I move out of cover and try shooting back at a target, or reaching for a weapon nearby when doing another task, such as Internet surfing, and then facing a serious threat, and immediately afterwards, returning quick succession of dry fire. Dry firing with snap caps is not that loud, except for the movement of bolt metal in the chamber. I still use ear plugs with my dry fire practice however.

Snap caps are very simple to use because the shooter simply loads the snap caps like normal live bullets into the chamber or magazine. The racking and ejecting of the snap caps is often the same as live firing with brass, steel and shotgun casings. Instead of a used casing flying out, the snap cap ejects completely.

Before going to your weapons for dry firing snap caps, use the safety protocols. The number one protocol is to check the weapon for any live cartridges in the chambers and in the magazines. I like to leave green zip ties in the chamber-bore area after doing a dry firing round.

The main safety concerns with snap caps refer to keeping the caps in a completely separate place from the live ammo. All live ammo should have its special place for storage in your private abode. Nothing could be worse than to have your snap caps lying around near the live ammo, and then mistakenly loading a live cartridge or cartridges with the snap caps.

The sound and damage of a live round going off in your home could ruin your life forever. These terrible negligent discharges do happen. Keep all snap caps in a particular site for regular dry firing practice. Store the live ammo in a completely different area of your house.

The other safety concern is just getting finger tired, bored or lazy. After dry firing repeatedly, the mind can start to lose its awareness. This is the time to stop the snap cap practice and return to it for another day.

With the amount of money spent driving out to the range and going through lots of ammunition, the dry firing of snap caps allows gun owners to practice the martial arts of firearms within a place of residence.